The Royal Scandal
Sherlock Holmes has been portrayed in at least 3 iconic series of films and TV productions: those of Wontner, Rathbone, and (best of all) Brett. Matt Frewer is known for his rather manic and off-kilter characters and characterizations. We might expect, therefore, that his performance of Holmes might treat the twilit (sic) lands between Baker Street and Bedlam. In this, he doesn't disappoint.
Anyone interested in purchasing this sitem should, however, be aware that it isn't exactly a new issue. It was originally part of a 4-item collection known appropriately as "The Sherlock Holmes Collection". Alas, this appears to be available through Amazon only from resllers and as of this writing at a rather excessive price. However, there are no doubt other sources, including used-DVD outlets (at one of which O secured my copy.
The third film in this collection is the current item, The Royal Scandal. This is actually a melding of "A Scandal in Bohemia" and "The Bruce Partington Plans" which does no particular favor to either. While some elements of the original plots remain, the resulting mish-mash converts 2 classically designed stories into an overly elaborated pastiche. Irene Adler, whom Holmes forever after referred to as "The Woman", becomes in this version a high-class blackmailer. In the film - not the original - he admires her because she had bested him on an other occasion (involving a sizeable theft). The photograph in question, instead of a relatively innocent formal photo of the King of Bohemia and Irene Adler, is made into a clandestine snapshot of a far more scandalous nature. Holmes is determined to obtain this for his client, now the Crown Prince of Germany, while his brother Mycroft wants to get it for his own purposes.
Holmes does his bit with the preacher disguise at Ms. Adler's house, in the end to no avail. As if Ms. Adler's character were not already sufficiently besmirched, her picture and negative found their way into the possession of Mycroft, who sees to it that the Germans receive copies that merely look like the originals - so, unlike "The King of Bohemia", she is unable to make the noble gesture of revealing her own marriage and promising never to use the photo. We may, I suppose, enjoy the joke on the Germans, inasmuch as the Crown Prince is presumably the future Wilhelm II (and is played that way), who is at the very least a right arrogant b*tch. And Holmes' name gets a bit of blackening by the fact that the film shows him stealing a photo of Irene Adler from her home, rather (as in the story) receiving it from the hands of the King of Bohemia as a reward.
We have here reached the nadir of Frewer's four efforts. Any producer who can trash the good name of Irene Adler and even throw a little soot Holmes' way has certainly got the Tabloid Touch. And it was a clumsy job, with muddled motivations and rampant silliness all around.
Anyone interested in purchasing this sitem should, however, be aware that it isn't exactly a new issue. It was originally part of a 4-item collection known appropriately as "The Sherlock Holmes Collection". Alas, this appears to be available through Amazon only from resllers and as of this writing at a rather excessive price. However, there are no doubt other sources, including used-DVD outlets (at one of which O secured my copy.
The third film in this collection is the current item, The Royal Scandal. This is actually a melding of "A Scandal in Bohemia" and "The Bruce Partington Plans" which does no particular favor to either. While some elements of the original plots remain, the resulting mish-mash converts 2 classically designed stories into an overly elaborated pastiche. Irene Adler, whom Holmes forever after referred to as "The Woman", becomes in this version a high-class blackmailer. In the film - not the original - he admires her because she had bested him on an other occasion (involving a sizeable theft). The photograph in question, instead of a relatively innocent formal photo of the King of Bohemia and Irene Adler, is made into a clandestine snapshot of a far more scandalous nature. Holmes is determined to obtain this for his client, now the Crown Prince of Germany, while his brother Mycroft wants to get it for his own purposes.
Holmes does his bit with the preacher disguise at Ms. Adler's house, in the end to no avail. As if Ms. Adler's character were not already sufficiently besmirched, her picture and negative found their way into the possession of Mycroft, who sees to it that the Germans receive copies that merely look like the originals - so, unlike "The King of Bohemia", she is unable to make the noble gesture of revealing her own marriage and promising never to use the photo. We may, I suppose, enjoy the joke on the Germans, inasmuch as the Crown Prince is presumably the future Wilhelm II (and is played that way), who is at the very least a right arrogant b*tch. And Holmes' name gets a bit of blackening by the fact that the film shows him stealing a photo of Irene Adler from her home, rather (as in the story) receiving it from the hands of the King of Bohemia as a reward.
We have here reached the nadir of Frewer's four efforts. Any producer who can trash the good name of Irene Adler and even throw a little soot Holmes' way has certainly got the Tabloid Touch. And it was a clumsy job, with muddled motivations and rampant silliness all around.
Reviewed by: RC Walker
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